Manuscripts Venice, Biblioteca Nazionale Marciana, gr. Z.101 (coll. 428) and Oxford, Bodleian Library, Auct. T.2.2 were completed respectively in 1065 and 1067 in the monastery of the Theotokos Evergetis in Constantinople by the monk and presbyter Gregory. The handwriting of Gregory, as well as that of his brother Gerasimos, can be usefully compared with the so-called style of Rossano, which flourished in the monastery of Saint Mary New Odigitria, even known as Patir, between the end of the 11st century and the beginning of the 12nd, especially with the handwriting of the monk Bartholomeus. This palaeographical affinity urges to reconsider the problem of the style of Rossano’s origins

Lo stile di Rossano. Culture grafiche tra metropoli e periferia / Bianconi, Daniele. - In: SCRIPTA. - ISSN 1971-9027. - STAMPA. - 10:(2017), pp. 9-31.

Lo stile di Rossano. Culture grafiche tra metropoli e periferia

BIANCONI DANIELE
2017

Abstract

Manuscripts Venice, Biblioteca Nazionale Marciana, gr. Z.101 (coll. 428) and Oxford, Bodleian Library, Auct. T.2.2 were completed respectively in 1065 and 1067 in the monastery of the Theotokos Evergetis in Constantinople by the monk and presbyter Gregory. The handwriting of Gregory, as well as that of his brother Gerasimos, can be usefully compared with the so-called style of Rossano, which flourished in the monastery of Saint Mary New Odigitria, even known as Patir, between the end of the 11st century and the beginning of the 12nd, especially with the handwriting of the monk Bartholomeus. This palaeographical affinity urges to reconsider the problem of the style of Rossano’s origins
2017
Monastero di Santa Maria Odigitria (Patir); Monastero della Theotokos Evergetis; Stile di Rossano; Perlschrift
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Lo stile di Rossano. Culture grafiche tra metropoli e periferia / Bianconi, Daniele. - In: SCRIPTA. - ISSN 1971-9027. - STAMPA. - 10:(2017), pp. 9-31.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1064994
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