The aim of the research is linking cinema and architecture. Is it possible today to define an architectural language of modification? Interventions on existing buildings are increasing every day. The actions do not only affect buildings to be preserved for their history or importance, but even “Tiers-Paysage”: abandoned and marginal residual places and buildings become, also for the poverty of available means, objects of interest. The object of intervention once abandoned the spirit of conservation inspite all of re-use and the sacredness of the existing built – becomes manipulable, overwritable, i.e. the scrap as fictional activator. Is it possible today to define an architectural language of modification? Nicolas Bourriaud, in his Postproduction affirms that from the beginning of the Eighties, artworks are created starting from pre-existing ones: he defines this tendency as Post-production, that is the artist's action to create manipulation “processes” on materials that already exist. The use of this term is borrowed directly from the audiovisual technical language used in the filmaking sector, to specify the last part of a movie production, that takes place when filming is over and that involves the video editing. The aim of the research is linking cinema and architecture. Through the vision we cover a narrative sequence that can be composed by a sequence of moving images for a static viewer in a first case, or by a sequence of images processed in the mind of a dynamic viewer in the second case. If the perception and creation of architecture would take place as a mounting of scenes or of frames, what would the editing types or modalities be? Chroma-key, jump cut, fast cutting, graphical mach, mach on action, fades, mounting trick, metamorphosis, cross-cutting, freeze frame, trunk shot, etc. New invention techniques are investigated through an analogical comparative process, made on a projects selection in the built environment, by transposing movie mounting‟s terminology and definitions within the architectural design discipline.
Manipulated Traces. Architectural Post-Productions‟ Contemporary Techniques / Sorriga, Fabio; Lenci, Ruggero. - STAMPA. - 1(2017), pp. 83-83.
Manipulated Traces. Architectural Post-Productions‟ Contemporary Techniques
Sorriga, Fabio;LENCI, Ruggero
2017
Abstract
The aim of the research is linking cinema and architecture. Is it possible today to define an architectural language of modification? Interventions on existing buildings are increasing every day. The actions do not only affect buildings to be preserved for their history or importance, but even “Tiers-Paysage”: abandoned and marginal residual places and buildings become, also for the poverty of available means, objects of interest. The object of intervention once abandoned the spirit of conservation inspite all of re-use and the sacredness of the existing built – becomes manipulable, overwritable, i.e. the scrap as fictional activator. Is it possible today to define an architectural language of modification? Nicolas Bourriaud, in his Postproduction affirms that from the beginning of the Eighties, artworks are created starting from pre-existing ones: he defines this tendency as Post-production, that is the artist's action to create manipulation “processes” on materials that already exist. The use of this term is borrowed directly from the audiovisual technical language used in the filmaking sector, to specify the last part of a movie production, that takes place when filming is over and that involves the video editing. The aim of the research is linking cinema and architecture. Through the vision we cover a narrative sequence that can be composed by a sequence of moving images for a static viewer in a first case, or by a sequence of images processed in the mind of a dynamic viewer in the second case. If the perception and creation of architecture would take place as a mounting of scenes or of frames, what would the editing types or modalities be? Chroma-key, jump cut, fast cutting, graphical mach, mach on action, fades, mounting trick, metamorphosis, cross-cutting, freeze frame, trunk shot, etc. New invention techniques are investigated through an analogical comparative process, made on a projects selection in the built environment, by transposing movie mounting‟s terminology and definitions within the architectural design discipline.File | Dimensione | Formato | |
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