The article aims to analyse the deep interaction between narrative genre, location of the stage and symbolic meaning, proposing a semiotic analysis of three movies (To Rome with love, New moon, the tourist), and the representation between American film narration and Italian setting referring to the tripartite division: realist (socio cultural construction consistent with the reality), impressionist (author’s action in rebuilding the spirit of the place is recognizable) and expressionist (the place is reshaped and stylized in a symbolic way).
Under the Italian skies. An international open-air set / Brancato, Giovanni; Fioravanti, Giada. - STAMPA. - (2017), pp. 155-164.
Under the Italian skies. An international open-air set
BRANCATO, GIOVANNI;FIORAVANTI, GIADA
2017
Abstract
The article aims to analyse the deep interaction between narrative genre, location of the stage and symbolic meaning, proposing a semiotic analysis of three movies (To Rome with love, New moon, the tourist), and the representation between American film narration and Italian setting referring to the tripartite division: realist (socio cultural construction consistent with the reality), impressionist (author’s action in rebuilding the spirit of the place is recognizable) and expressionist (the place is reshaped and stylized in a symbolic way).| File | Dimensione | Formato | |
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