Since the early days of film history, the commercial value of cinema has been considered as more important than its cultural relevance. In recent years however, the academic, ethical and institutional emphasis on film as a cultural element has increased dramatically. Cinema, as the art and historical archive of the twentieth century, has gained higher institutional legitimacy since the UNESCO conference recognised the status of films as artworks, and demanded proper conservation and preservation practices.

The restoration of films / Catanese, Rossella. - STAMPA. - 1(2016), pp. 27-32.

The restoration of films

CATANESE, ROSSELLA
2016

Abstract

Since the early days of film history, the commercial value of cinema has been considered as more important than its cultural relevance. In recent years however, the academic, ethical and institutional emphasis on film as a cultural element has increased dramatically. Cinema, as the art and historical archive of the twentieth century, has gained higher institutional legitimacy since the UNESCO conference recognised the status of films as artworks, and demanded proper conservation and preservation practices.
2016
L’immagine colore. Le fer à cheval, un film Pathé
9781909088146
film restoration; film heritage; restoration
02 Pubblicazione su volume::02a Capitolo o Articolo
The restoration of films / Catanese, Rossella. - STAMPA. - 1(2016), pp. 27-32.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/883776
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