The attraction towards time and its representation is a widespread theme, as Books of Hours, allegories, artistic calendars, testify. The attention to time becomes more and more urgent in 20.C, as plenty of studies investigate. The exhibition Dall’oggi al domani - that borrows its title from a statement by Alighiero Boetti - focuses on a section about this boundless issue: the day, with its date labeling it and its 24 hours rhythm. Sbrilli presents the main aspects of the exhibition, their historical background and diffusion, the conceptual attraction for calendars’ grids, the interest on everyday, up to processing of daily digital traces, time-lapse and 24/7 formats.
Il testo introduce i temi della mostra Dall'oggi al domani. 24 ore nell'arte contemporanea, co-curata dall'autrice con Grazia Tolomeo per il Museo Macro di Roma (29 aprile - 2 ottobre 2016), ne presenta le motivazioni e analizza il contesto storico e critico in cui si pone.
Oggi, una mostra. Introduzione / Sbrilli, Antonella. - STAMPA. - (2016), pp. 5-12.
Oggi, una mostra. Introduzione
SBRILLI, Antonella
2016
Abstract
The attraction towards time and its representation is a widespread theme, as Books of Hours, allegories, artistic calendars, testify. The attention to time becomes more and more urgent in 20.C, as plenty of studies investigate. The exhibition Dall’oggi al domani - that borrows its title from a statement by Alighiero Boetti - focuses on a section about this boundless issue: the day, with its date labeling it and its 24 hours rhythm. Sbrilli presents the main aspects of the exhibition, their historical background and diffusion, the conceptual attraction for calendars’ grids, the interest on everyday, up to processing of daily digital traces, time-lapse and 24/7 formats.| File | Dimensione | Formato | |
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Sbrilli_oggi-una-mostra_ 2016.pdf
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Note: Dal catalogo mostra Dall'oggi al domani. 24 ore nell'arte contemporanea, Museo Macro, Roma 2016_ introduzione
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