* Progettazione. * Calcolo statico in c.a., D.L. dell'opera: una "cappella gentilizia" di loculi e ossari, ipogeo compreso, realizzata all'interno dell’ampliamento del Cimitero Comunale di Copertino (Lecce) - Lotto n. 40, (1985-'88). * Direzione lavori. ** The “Worn-away Edge” This little corner architectural work embodies the metaphor of disgregation. Extremely corroded, it wants to tell about habitability doomed to die out. A presence-absence which is very provoking. «What You are, We were; What We are, You will be»: so that it seems to proclaim. Some fragments uselessly persist in reflecting the earthly house, the past attending. But how long will it last? All that lives must come to a stop. The crossed window, the upside-dawn ladder, walled up spaces, broken panes, a statics always on the point of collapsing, the gargoyle aut off, the grassy thresholds, state of no-place, no-finished framing condition, the dried tree in the low position, and much more, narrate us of a remote world, lost for ever. There is the green tree on the terracing which inspires hope, inviting to the joy of an everlasting life. Becoming available, can mean a liberation at once gratifying. Up there, luckily, perhaps “Somebody” loves us.
Progetto per la costruzione di una cappella gentilizia nell’ampliamento del Cimitero Comunale di Copertino (Lecce) - Lotto n. 40, 1985 / Calcagnile, Luigi. - (1985).
Progetto per la costruzione di una cappella gentilizia nell’ampliamento del Cimitero Comunale di Copertino (Lecce) - Lotto n. 40, 1985.
CALCAGNILE, Luigi
1985
Abstract
* Progettazione. * Calcolo statico in c.a., D.L. dell'opera: una "cappella gentilizia" di loculi e ossari, ipogeo compreso, realizzata all'interno dell’ampliamento del Cimitero Comunale di Copertino (Lecce) - Lotto n. 40, (1985-'88). * Direzione lavori. ** The “Worn-away Edge” This little corner architectural work embodies the metaphor of disgregation. Extremely corroded, it wants to tell about habitability doomed to die out. A presence-absence which is very provoking. «What You are, We were; What We are, You will be»: so that it seems to proclaim. Some fragments uselessly persist in reflecting the earthly house, the past attending. But how long will it last? All that lives must come to a stop. The crossed window, the upside-dawn ladder, walled up spaces, broken panes, a statics always on the point of collapsing, the gargoyle aut off, the grassy thresholds, state of no-place, no-finished framing condition, the dried tree in the low position, and much more, narrate us of a remote world, lost for ever. There is the green tree on the terracing which inspires hope, inviting to the joy of an everlasting life. Becoming available, can mean a liberation at once gratifying. Up there, luckily, perhaps “Somebody” loves us.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.