The essay analyzes the relationship of the writer Mori Ogai with the classical repertory of the Japanese. Ogai shows in his works a deep respect for classical literature, but also a remarkable ability to do a clever criticism on classical literature, becaming sometime even irreverent. Famous is his sentence that defines the style of the Genjimonogatari, the most important work of classical Japanese literature, as 'akubun', bad writing. As the italian writer Italo Calvino, Ogai felt a kind of resistance, 'teiko' in japanese, towards the classics, but also a strong sense of respect and responsibility.

Mori Ōgai, il Genji monogatari e il mondo classico giapponese / Mastrangelo, Matilde. - STAMPA. - (2013), pp. 327-337.

Mori Ōgai, il Genji monogatari e il mondo classico giapponese

MASTRANGELO, Matilde
2013

Abstract

The essay analyzes the relationship of the writer Mori Ogai with the classical repertory of the Japanese. Ogai shows in his works a deep respect for classical literature, but also a remarkable ability to do a clever criticism on classical literature, becaming sometime even irreverent. Famous is his sentence that defines the style of the Genjimonogatari, the most important work of classical Japanese literature, as 'akubun', bad writing. As the italian writer Italo Calvino, Ogai felt a kind of resistance, 'teiko' in japanese, towards the classics, but also a strong sense of respect and responsibility.
2013
I dieci colori dell'eleganza. Saggi in onore di Maria Teresa Orsi
978-88-548-5856-5
02 Pubblicazione su volume::02a Capitolo o Articolo
Mori Ōgai, il Genji monogatari e il mondo classico giapponese / Mastrangelo, Matilde. - STAMPA. - (2013), pp. 327-337.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/501674
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