The essay consider the complex hermeneutic questions concerning the illustrations that Salvador Dalí accomplished for Dante Alighieri’s Divina Commedia (Paris,1959-63 and Firenze,1963-64). Valuating the different interpretations from international critical studies, the author proposes a new reading of some plates, relying on the imaginative potential of the poetic word derived from the surrealist paranoycal-critical method of Dalí.
FROM HELL TO PARADISE OR OTHER WAY ROUND? SALVADOR DALI''S DIVINA COMMEDIA / Schiaffini, Ilaria. - (2007), pp. 141-150.
FROM HELL TO PARADISE OR OTHER WAY ROUND? SALVADOR DALI''S DIVINA COMMEDIA
SCHIAFFINI, ILARIA;
2007
Abstract
The essay consider the complex hermeneutic questions concerning the illustrations that Salvador Dalí accomplished for Dante Alighieri’s Divina Commedia (Paris,1959-63 and Firenze,1963-64). Valuating the different interpretations from international critical studies, the author proposes a new reading of some plates, relying on the imaginative potential of the poetic word derived from the surrealist paranoycal-critical method of Dalí.File allegati a questo prodotto
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