Petrarch’s sonnets XLV («Il mio adversario in cui veder solete») and XLVI («L’oro e le perle e i fior vermigli e i bianchi») are regarded as two paradigmatic examples of Laura’s narcissism, who looks at herself in the mirror and, while admiring her beauty reflecting on it, does not show any interest for the poet. The purpose of this article is to analyse the modalities carried out by Juan Boscán, a Petrarchist Spanish author of the 16th century, to reelaborate the topos of woman’s vanitas in his poetic works. First of all, in this research I will offer an analysis of a poem that has not been thoroughly studied by critics, that is, the poem 19, included in the Libro IV in the most recent edition by Carlos Clavería (1999), in order to identify the intertextual relations with the already mentioned Petrarchan sources. Secondly, I will consider a series of texts (sonnets as well as coplas written in verses of arte menor) that present an alternative development of the literary motif, without any reference to the myth of Narcissus.

Crueldad y narcisismo: análisis de un tópico petrarquista en la poesía de Juan Boscán / Fortunato, Emilio. - (2026), pp. 509-528.

Crueldad y narcisismo: análisis de un tópico petrarquista en la poesía de Juan Boscán

Emilio Fortunato
Primo
Writing – Original Draft Preparation
2026

Abstract

Petrarch’s sonnets XLV («Il mio adversario in cui veder solete») and XLVI («L’oro e le perle e i fior vermigli e i bianchi») are regarded as two paradigmatic examples of Laura’s narcissism, who looks at herself in the mirror and, while admiring her beauty reflecting on it, does not show any interest for the poet. The purpose of this article is to analyse the modalities carried out by Juan Boscán, a Petrarchist Spanish author of the 16th century, to reelaborate the topos of woman’s vanitas in his poetic works. First of all, in this research I will offer an analysis of a poem that has not been thoroughly studied by critics, that is, the poem 19, included in the Libro IV in the most recent edition by Carlos Clavería (1999), in order to identify the intertextual relations with the already mentioned Petrarchan sources. Secondly, I will consider a series of texts (sonnets as well as coplas written in verses of arte menor) that present an alternative development of the literary motif, without any reference to the myth of Narcissus.
2026
La literatura y las otras artes
978-84-125391-5-8
Los sonetos XLV («Il mio adversario in cui veder solete») y XLVI («L’oro e le perle e i fior vermigli e i bianchi») de Petrarca están considerados como dos ejemplos paradigmáticos del narcisismo de Laura, que se mira al espejo y, al contemplar su belleza reflejada, muestra desinterés por el poeta. El objetivo de este artículo consiste en analizar las modalidades mediante las cuales Juan Boscán, autor petrarquista español del siglo XVI, retoma el tópico de la vanitas de la dama en su producción poética. En primer lugar, en este examen presentaré un análisis del poema 19, incluido en el Libro IV en la edición más reciente de Carlos Clavería (1999) y no estudiado de forma detallada por la crítica, para identificar las relaciones intertextuales con las fuentes petrarquescas citadas. A continuación, tendré en cuenta una serie de poemas (tanto sonetos como coplas de arte menor) que presentan unos desarrollos alternativos del motivo literario, sin alusión alguna a la fábula de Narciso.
Juan Boscán; mito de Narciso; narcisismo; vanitas; petrarquismo castellano
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Crueldad y narcisismo: análisis de un tópico petrarquista en la poesía de Juan Boscán / Fortunato, Emilio. - (2026), pp. 509-528.
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Note: Estudio sobre la adaptación del motivo literario del narcisismo en la poesía de Juan Boscán y análisis del tópico petrarquista de la vanitas de la dama en su universo literario
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1775138
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