This paper aims to analyse Alessandro Parronchi’s Nel bosco, highlighting the stylistic and narratological choices employed by the author to replicate the powerful impressions evoked by the Akira Kurosawa’s masterpiece Rashōmon, and to engage with the theme of the multi-perspective relativity of truth, the central tenet of the Japanese film.
La ‘stagione cinematografica’ di Alessandro Parronchi. Da Un’attesa a Città / Marrone, Giuseppe. - (2026), pp. 143-154. - ARCIPELAGHI LETTERARI, LINGUISTICI E CULTURALI. [10.36253/978-88-98338-01-6.15].
La ‘stagione cinematografica’ di Alessandro Parronchi. Da Un’attesa a Città
Giuseppe Marrone
2026
Abstract
This paper aims to analyse Alessandro Parronchi’s Nel bosco, highlighting the stylistic and narratological choices employed by the author to replicate the powerful impressions evoked by the Akira Kurosawa’s masterpiece Rashōmon, and to engage with the theme of the multi-perspective relativity of truth, the central tenet of the Japanese film.File allegati a questo prodotto
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