Reflections in nature. From an imagined unity to a reassembled fragmentation within the landscape

The project 'Reflections in Nature' stems from the evocative image of an exploded axono metric view of a complete circular temple. The ruin itself becomes the starting point for decomposition, from which the missing elemen ts are inferred. These elements are then reconstructed, though only formally, allowing the new intended uses to define their functions. In this way, the exploded dome, now “landed” on the ground, houses the seating tiers for the audience; the drum shelters the spectators, acting as a parapet; the floor plan becomes a stage for performances; the arches detach from the main volume, creating scenic wings; final ly, the temple becomes a fixed perspective backdrop, similar to the scenography of Palladian theatre. The chosen material for the intervention is mirrored metal, used to reflect the surrounding landscape and establish a dialogue between architecture and nature. Traditionally, the dome symbolizes the ten sion between sky and earth. In this design, the convex dome with mirrored metal creates a seamless connection with nature. Much like a solar system, the elements revolve around the temple, following its circular form. This allows for various spatial compo sitions in dialogue with the landscape. The three selected positions for the seating area are oriented toward the setting sun. The radius of rotation is defined by the position of a centuries-old tree in rela tion to the temple, ensuring it remains part of the composition. This movement is made possible by the installation of two tracks set into the ground. The scenic wings, instead, rotate around their own ver tical axes, each anchored to a pivot in the ground. In this way, the landscape itself becomes a reconfigurable backdrop, and architecture dissolves into and blends with its surroundings. The structure of the dome is inspired by Buckminster Fuller’s ge odesic model, providing both lightness and stability. Access to the seating tiers is from the rear of the dome, which also accommodates two essential yet comfortable shared restroom. All designed elements are reversible and do not alter the existing structure. They can be easily removed or repositioned, ensuring mi nimal impact on the site. This proposal aims to enhance the unfinished temple by transforming it into a dynamic and interactive space, capable of hosting cultural events and engaging with the surrounding landscape—without com promising its historical essence.