The catalogue of the Italian Pavilion at the 19th International Architecture Exhibition of La Biennale di Venezia is conceived as a contemporary portolano, a modern interpretation of the medieval nautical charts that, through skilled and imaginative draftsmanship, conveyed the intricacies of the then-known world. The editorial project is articulated in three distinct yet complementary volumes, each designed as a stage in a perceptive and intellectual journey. The first volume gathers theoretical essays and critical reflections, accompanied by authored hotographic narratives that engage with the exhibition’s themes, suggesting interpretative and conceptual trajectories. The second volume offers a cartography of the plurality of languages and practices inhabiting the Italian Pavilion, through an installation project composed of display devices that elaborate upon universal archetypes. These are Wunderkammern capable of welcoming the visitor into a voyage across memory and landscape, visions, research, and projects of a possible Italy, born of the country’s collective intelligence. The third volume collects the contributions of the public programme and further visual accounts drawn from workshops, events, and debates that unfolded within and around the Italian Pavilion — living testimonies of an open dialogue with the present. Together, these three volumes constitute an intellectual and affective map, a critical device for navigating the “currents of the sea” of contemporaneity.
Terrae Aquae, 1. L'Italia e l'intelligenza del Mare. Storie | Sfide | Opportunità / Salimei, Guendalina. - (2025), pp. 1-223.
Terrae Aquae, 1. L'Italia e l'intelligenza del Mare. Storie | Sfide | Opportunità
GUENDALINA SALIMEI
2025
Abstract
The catalogue of the Italian Pavilion at the 19th International Architecture Exhibition of La Biennale di Venezia is conceived as a contemporary portolano, a modern interpretation of the medieval nautical charts that, through skilled and imaginative draftsmanship, conveyed the intricacies of the then-known world. The editorial project is articulated in three distinct yet complementary volumes, each designed as a stage in a perceptive and intellectual journey. The first volume gathers theoretical essays and critical reflections, accompanied by authored hotographic narratives that engage with the exhibition’s themes, suggesting interpretative and conceptual trajectories. The second volume offers a cartography of the plurality of languages and practices inhabiting the Italian Pavilion, through an installation project composed of display devices that elaborate upon universal archetypes. These are Wunderkammern capable of welcoming the visitor into a voyage across memory and landscape, visions, research, and projects of a possible Italy, born of the country’s collective intelligence. The third volume collects the contributions of the public programme and further visual accounts drawn from workshops, events, and debates that unfolded within and around the Italian Pavilion — living testimonies of an open dialogue with the present. Together, these three volumes constitute an intellectual and affective map, a critical device for navigating the “currents of the sea” of contemporaneity.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


