At the 1976 Theatre Biennale, Peter Brook provided one of the best demonstrations of the breakup of the traditional role of the actor. In three different events, Brook played with genres and replaces the player by the performer, a real mediator. Brook’s presence at the Biennale heralded in an embryonic way some of the fundamental aspects which would shape a new scenic art: the performance.

Forgoing theatre to arrive at the performance: Peter Brook at the 1976 Theatre Biennale / Ruffini, R. - (2010), pp. 208-216.

Forgoing theatre to arrive at the performance: Peter Brook at the 1976 Theatre Biennale

RUFFINI R
2010

Abstract

At the 1976 Theatre Biennale, Peter Brook provided one of the best demonstrations of the breakup of the traditional role of the actor. In three different events, Brook played with genres and replaces the player by the performer, a real mediator. Brook’s presence at the Biennale heralded in an embryonic way some of the fundamental aspects which would shape a new scenic art: the performance.
2010
Starting from Venice. Studies on the Biennale
978-88-6463-024-3
02 Pubblicazione su volume::02a Capitolo o Articolo
Forgoing theatre to arrive at the performance: Peter Brook at the 1976 Theatre Biennale / Ruffini, R. - (2010), pp. 208-216.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1750227
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