The paper examines the relationship between Pablo Echaurren and the so-called creative wing of the Movement of '77. Starting with the analysis of Echaurren's experience, the essay attempts to reread the history of the Movement of '77 no longer as the last stage of the avant-garde of the early 20th century (according to Umberto Eco's hypothesis), but as a phase, still relevant today, of the avant-garde understood as a counter-power device.
The Last Avant-garde? Pablo Echaurren and the Movement of ’77 / Perna, Raffaella. - (2025), pp. 47-63.
The Last Avant-garde? Pablo Echaurren and the Movement of ’77
Perna Raffaella
2025
Abstract
The paper examines the relationship between Pablo Echaurren and the so-called creative wing of the Movement of '77. Starting with the analysis of Echaurren's experience, the essay attempts to reread the history of the Movement of '77 no longer as the last stage of the avant-garde of the early 20th century (according to Umberto Eco's hypothesis), but as a phase, still relevant today, of the avant-garde understood as a counter-power device.File allegati a questo prodotto
| File | Dimensione | Formato | |
|---|---|---|---|
|
Perna_last-avant-garde_2025.pdf
solo gestori archivio
Tipologia:
Documento in Post-print (versione successiva alla peer review e accettata per la pubblicazione)
Licenza:
Tutti i diritti riservati (All rights reserved)
Dimensione
585.78 kB
Formato
Adobe PDF
|
585.78 kB | Adobe PDF | Contatta l'autore |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
