In the Sumerian and Akkadian mythological literature, the ruler of the city of Uruk, Gilgameš, uproots and/or cuts down trees on several occasions: the ḫalub-tree (mahaleb cherry) linked to the goddess Inanna and the eren (juniper)/erēnu (cedar) trees of the Forest guarded by Ḫuwawa. These trees should be understood as elements of a wider "wilderness", with which they share a powerful and ambiguous ontological otherness, as opposed to the city and the country of Sumer. In order to become useful, this otherness must be conducted in the city and subject to processes of organization. This article illustrates the symbolic implications of the uprooting, cutting down and subsequent transport of these tree species to the city and the importance of these actions not only for Gilgameš but also for his urban community. The sovereign's action on the tree, similar to that of a farmer or gardener, with the consequent creation of 'artefacts', allows, through the cultural organisation of the tree's power, the renewal of the relationship, always subject to crisis, between the human community and the divine world.

Quando Gilgameš taglia i “cedri”. Gli alberi nell’immaginario mitologico mesopotamico / Zisa, Gioele. - (2021), pp. 111-131.

Quando Gilgameš taglia i “cedri”. Gli alberi nell’immaginario mitologico mesopotamico

Gioele Zisa
2021

Abstract

In the Sumerian and Akkadian mythological literature, the ruler of the city of Uruk, Gilgameš, uproots and/or cuts down trees on several occasions: the ḫalub-tree (mahaleb cherry) linked to the goddess Inanna and the eren (juniper)/erēnu (cedar) trees of the Forest guarded by Ḫuwawa. These trees should be understood as elements of a wider "wilderness", with which they share a powerful and ambiguous ontological otherness, as opposed to the city and the country of Sumer. In order to become useful, this otherness must be conducted in the city and subject to processes of organization. This article illustrates the symbolic implications of the uprooting, cutting down and subsequent transport of these tree species to the city and the importance of these actions not only for Gilgameš but also for his urban community. The sovereign's action on the tree, similar to that of a farmer or gardener, with the consequent creation of 'artefacts', allows, through the cultural organisation of the tree's power, the renewal of the relationship, always subject to crisis, between the human community and the divine world.
2021
Dendrolatrie. Miti e pratiche dell'immaginario arboreo.
978-88-97035-98-5
Mesopotamian mythology; Gilgameš; wilderness; cutting trees
02 Pubblicazione su volume::02a Capitolo o Articolo
Quando Gilgameš taglia i “cedri”. Gli alberi nell’immaginario mitologico mesopotamico / Zisa, Gioele. - (2021), pp. 111-131.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1718382
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