In this afterword, I take stock of the exciting scholarly work and debates generated by the dissemination of Indian Shakespeare cinema (or 'Bollywood Shakespeare') in the West. I argue that while the increasing popularity of Indian Shakespeare cinema would seem to have narrowed the gap between the source and the recipient cultures that produce and consume it, one needs to remain alert, and value, culture difference, even when it remains impervious to translation or interpretation.

Afterword / Massai, Sonia. - (2022), pp. 271-277.

Afterword

Sonia Massai
2022

Abstract

In this afterword, I take stock of the exciting scholarly work and debates generated by the dissemination of Indian Shakespeare cinema (or 'Bollywood Shakespeare') in the West. I argue that while the increasing popularity of Indian Shakespeare cinema would seem to have narrowed the gap between the source and the recipient cultures that produce and consume it, one needs to remain alert, and value, culture difference, even when it remains impervious to translation or interpretation.
2022
Recontextualizing Indian Shakespeare Film in the West
9781350168657
Shakespeare; Bollywood; Indian Shakespeare Cinema;
02 Pubblicazione su volume::02c Prefazione/Postfazione
Afterword / Massai, Sonia. - (2022), pp. 271-277.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1694223
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