This essay identifies and discusses intercultural qualities in Daniel Goldman and Sarah Norman's The Merry Wives of Windsor, a collaboration between Bitter Pill and Theatre Company of Kenya, and presented as part of the Globe to Globe Festival in London in 2012. The thoroughly intercultural qualities of this production effectively neutralized the risk of reducing not only non-Western cultures and theatrical traditions but also women directors of Shakespeare to mere markers of an essential otherness.
Ms-Directing Shakespeare at the Globe to Globe Festival / Massai, Sonia. - (2014), pp. 313-322.
Ms-Directing Shakespeare at the Globe to Globe Festival
Sonia Massai
2014
Abstract
This essay identifies and discusses intercultural qualities in Daniel Goldman and Sarah Norman's The Merry Wives of Windsor, a collaboration between Bitter Pill and Theatre Company of Kenya, and presented as part of the Globe to Globe Festival in London in 2012. The thoroughly intercultural qualities of this production effectively neutralized the risk of reducing not only non-Western cultures and theatrical traditions but also women directors of Shakespeare to mere markers of an essential otherness.File allegati a questo prodotto
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