On a Sunday in August of 1948, the sun bathed the architecture of Rome with what Robert Venturi referred to as a ‘golden air’. Years later, in July 1984, that sun moved from Rome to Los Angeles for the XXIII Olympiad, giving life, for a summer, to a palimpsest of figurative operations, actions, elements, and objects, projects extracted from the treatises on and dreams of classicism, to reconfigure the ‘ecologies’ of the city by means of celebratory themes. Retracing the theory of the ephemeral behind the Estate Romana (‘Roman summer’), the Californian metropolis was transformed by architectural installations that saw Rome and its monuments as a possible source for building an ‘ancient’ city in colours like hot magenta, even if just for one summer.

Follow the Sun: The Estate Romana of Los Angeles ’84 / Moschetti, Vincenzo. - (2023), pp. 226-233. - BIBLIOTECA D'ARTE.

Follow the Sun: The Estate Romana of Los Angeles ’84

Vincenzo Moschetti
2023

Abstract

On a Sunday in August of 1948, the sun bathed the architecture of Rome with what Robert Venturi referred to as a ‘golden air’. Years later, in July 1984, that sun moved from Rome to Los Angeles for the XXIII Olympiad, giving life, for a summer, to a palimpsest of figurative operations, actions, elements, and objects, projects extracted from the treatises on and dreams of classicism, to reconfigure the ‘ecologies’ of the city by means of celebratory themes. Retracing the theory of the ephemeral behind the Estate Romana (‘Roman summer’), the Californian metropolis was transformed by architectural installations that saw Rome and its monuments as a possible source for building an ‘ancient’ city in colours like hot magenta, even if just for one summer.
2023
Promenades dans Rome. Assembly practices between visions, ruins, and reconstructions
9788836651177
Architecture; Estate Romana; Los Angeles; Olympiad
02 Pubblicazione su volume::02a Capitolo o Articolo
Follow the Sun: The Estate Romana of Los Angeles ’84 / Moschetti, Vincenzo. - (2023), pp. 226-233. - BIBLIOTECA D'ARTE.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1679828
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