This paper, which represents the chapter 6 of the monography edited by M.Liverani, deals with the Tadrart Akakus Garamantian rock art strictly associated to the presence of the Garamantian people in the Libyan Fezzan (c.3,500-1,800 BP). The paintings and engravings of this period , generally not so much appreciated, are attributable to the Late Pastoral, Horse/Bitriangular and Camel styles and reveal distinctive characteristics very meaningful to complete the panorama of the Garamantian symbolic world.

Garamantian Rock Art in the Akakus / Zampetti, Daniela. - STAMPA. - II AZA 5(2005), pp. 41-47.

Garamantian Rock Art in the Akakus

ZAMPETTI, Daniela
2005

Abstract

This paper, which represents the chapter 6 of the monography edited by M.Liverani, deals with the Tadrart Akakus Garamantian rock art strictly associated to the presence of the Garamantian people in the Libyan Fezzan (c.3,500-1,800 BP). The paintings and engravings of this period , generally not so much appreciated, are attributable to the Late Pastoral, Horse/Bitriangular and Camel styles and reveal distinctive characteristics very meaningful to complete the panorama of the Garamantian symbolic world.
2005
Aghram Nadharif. The Barkat Oasis (Sha'biya of Ghat, Libyan Sahara) in Garamantian Times (The Archaeology of Libyan Sahara)
9788878144712
02 Pubblicazione su volume::02a Capitolo o Articolo
Garamantian Rock Art in the Akakus / Zampetti, Daniela. - STAMPA. - II AZA 5(2005), pp. 41-47.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/162765
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