Pornografia di Gombrowicz per Luca Ronconi. I limiti della regia e la ricerca di un teatro infinito

Luca Ronconi used to say that every text is representable. Even though his work is the best demonstration of a theatre without borders, it often contained an implicit reflection on the limit of the staging and on the identity of the director. Especially in Pornografia, a spectacle of the 2013 adapted from the novel by W. Gombrowicz, Ronconi questions the director’s gaze, his manipulative and performative power. The analysis of the discursivity of this show will give us the opportunity to investigate the aesthetic issues triggered by his way of thinking and practicing the staging.