1) the form of human perception as realized through media can be creatively shaped (that is, it can be a creative and interactive product of the work of our imagination); 2) two figures seem to be in agreement about this creativity: that of the political artist whom Benjamin speaks about in The Work of Art in the Age of Technological Reproducibility and that of the materialist historian whom he talks about in his Thesis on history. The aim of this convergence appears to be a new relationship between art and technique
Interactivity, montage and technologies of sensitivity / Montani, Pietro. - STAMPA. - (2018), pp. 59-66.
|Titolo:||Interactivity, montage and technologies of sensitivity|
MONTANI, Pietro (Corresponding author)
|Data di pubblicazione:||2018|
|Citazione:||Interactivity, montage and technologies of sensitivity / Montani, Pietro. - STAMPA. - (2018), pp. 59-66.|
|Appartiene alla tipologia:||02a Capitolo o Articolo|