1) the form of human perception as realized through media can be creatively shaped (that is, it can be a creative and interactive product of the work of our imagination); 2) two figures seem to be in agreement about this creativity: that of the political artist whom Benjamin speaks about in The Work of Art in the Age of Technological Reproducibility and that of the materialist historian whom he talks about in his Thesis on history. The aim of this convergence appears to be a new relationship between art and technique

Interactivity, montage and technologies of sensitivity / Montani, Pietro. - STAMPA. - (2018), pp. 59-66.

Interactivity, montage and technologies of sensitivity

Pietro Montani
2018

Abstract

1) the form of human perception as realized through media can be creatively shaped (that is, it can be a creative and interactive product of the work of our imagination); 2) two figures seem to be in agreement about this creativity: that of the political artist whom Benjamin speaks about in The Work of Art in the Age of Technological Reproducibility and that of the materialist historian whom he talks about in his Thesis on history. The aim of this convergence appears to be a new relationship between art and technique
2018
Montages. Assembling as a form and symptom in contemporary arts
9788869771026
montage; contemporary art; new technologies; techno.aesthetics
02 Pubblicazione su volume::02a Capitolo o Articolo
Interactivity, montage and technologies of sensitivity / Montani, Pietro. - STAMPA. - (2018), pp. 59-66.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1108196
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