The expressive transformation distinguishing rhythm from metre appears to have particular relevance for the correct processing of a musical message, helping to reduce ambiguity as the temporal microstructure adapts to phrasing, metre and harmonic progression. Given this premise, we set out to examine how any differences in the preference for rhythm in human (irregular and expressive) or computerized (absolutely regular) performance relate to temporal -structural features of the pieces (metre, tempo) and personal characteristics of subjects (sex, competence, aptitude for music).
Preference for human or computerized rhythmic performance: Research on determining factors and attempt at modelling / Olivetti, Marta. - (1996), pp. 90-91. (Intervento presentato al convegno The 9th Meeting of European Society for Cognitive Psychology tenutosi a Würzburg).
Preference for human or computerized rhythmic performance: Research on determining factors and attempt at modelling
OLIVETTI, Marta
1996
Abstract
The expressive transformation distinguishing rhythm from metre appears to have particular relevance for the correct processing of a musical message, helping to reduce ambiguity as the temporal microstructure adapts to phrasing, metre and harmonic progression. Given this premise, we set out to examine how any differences in the preference for rhythm in human (irregular and expressive) or computerized (absolutely regular) performance relate to temporal -structural features of the pieces (metre, tempo) and personal characteristics of subjects (sex, competence, aptitude for music).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
