The design of auditoria and opera houses requires particular care for the stage area, where several different requirements should be achieved for the performers. Among these, the acoustic quality represents a fundamental aspect, and it differs from the listeners' perspective. Moreover, the performing area in concert halls is often an important area for non-acoustic reasons, since lighting, thermal plants, etc. are often placed in this special zone, and should be properly designed in order to guarantee a high level of global comfort. This paper presents some examples of how to design exhibition zones in opera houses and auditoriums that show both acoustic and technical improvements, both in theory and in architecture.
The acoustic simulation of performing area in the auditorium: Some examples in Italy / Vodola, V.; Nastasi, B.; Manfren, M.; Merli, F.. - 2020-:(2020), pp. 245-250. (Intervento presentato al convegno 4th IBPSA-Italy Conference on Building Simulation Applications, BSA 2019 tenutosi a ita).
The acoustic simulation of performing area in the auditorium: Some examples in Italy
Nastasi B.;
2020
Abstract
The design of auditoria and opera houses requires particular care for the stage area, where several different requirements should be achieved for the performers. Among these, the acoustic quality represents a fundamental aspect, and it differs from the listeners' perspective. Moreover, the performing area in concert halls is often an important area for non-acoustic reasons, since lighting, thermal plants, etc. are often placed in this special zone, and should be properly designed in order to guarantee a high level of global comfort. This paper presents some examples of how to design exhibition zones in opera houses and auditoriums that show both acoustic and technical improvements, both in theory and in architecture.File | Dimensione | Formato | |
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Vodola_The Acoustic Simulation_2020.pdf
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