There has always existed an inextricable interrelation between architecture and drawing. On the other hand it is obvious that architecture can manifest itself as an expressive literary form (studies of treatises, etc.) as a construction (i.e. as realized usable spaces, etc.) or precisely as drawing (i.e. as a thought-form expressed through signs). Starting from these points the research traces—through historical interpretation, critical analysis and the use of informatics utilizing virtualization as an element of representation—the development of the design idea and the construction of Carlo Scarpaʼs Casa Ottolenghi.

Drawing of Carlo Scarpaʼs Villa Ottolenghi / Ippolito, Alfonso; Bianchini, Carlo; Bartolomei, Cristiana. - ELETTRONICO. - (2018), pp. 577-590. [10.1007/978-3-319-58856-8_45].

Drawing of Carlo Scarpaʼs Villa Ottolenghi.

IPPOLITO, ALFONSO;BIANCHINI, Carlo;
2018

Abstract

There has always existed an inextricable interrelation between architecture and drawing. On the other hand it is obvious that architecture can manifest itself as an expressive literary form (studies of treatises, etc.) as a construction (i.e. as realized usable spaces, etc.) or precisely as drawing (i.e. as a thought-form expressed through signs). Starting from these points the research traces—through historical interpretation, critical analysis and the use of informatics utilizing virtualization as an element of representation—the development of the design idea and the construction of Carlo Scarpaʼs Casa Ottolenghi.
2018
Architectural draughtsmanship. From analog to digital narratives
978-3-319-58855-1
Casa Ottolenghi; 2D-3D models; Carlo Scarpa
02 Pubblicazione su volume::02a Capitolo o Articolo
Drawing of Carlo Scarpaʼs Villa Ottolenghi / Ippolito, Alfonso; Bianchini, Carlo; Bartolomei, Cristiana. - ELETTRONICO. - (2018), pp. 577-590. [10.1007/978-3-319-58856-8_45].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1014593
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